异端

Didier Kon] `ings’ sim%mer_#%in:g,) m?ediaeva) l( horr);or Witte Wieven ex=plores the conflue@-nce _+%of relig$`ion and[! patriarchy in a-.n ex)cess[;ively puritanical Dutch
vil ,_lage. Blamed by .he[r community for bei^=[
ng chil;dles
s, Frieda i%;mme_rses h.e@:,rself * in prayer and ritual. %When she re [turns uns#[c[;ath%.ed from ! the forb %]idden forest surrounding\: the vi) [ llage/], h?aving evaded a ?lecher#;ous butcher%, she is condemned a?s; an agent``  of t!#-he d
evil\(. Frie*_d_%a, how#]ev`@@e)r, finds  ne@.!w fait%?h in the dark powe` =`rs t(
hat in)habit:; *the woods.`　　Shot in `: ,a,) r#edu@,ced %col!%our pal^[ette at$
 =the% edge _/.of vi_*sibility, )=Kon[.ings’  gripping fi_[lm constructs a convincing pre:[-modern s$oci:?ety whose practi][ces __it e. %l.?ucidate[/s with pat`ience an#+d atten:tion. Alt\[ho^:$ugh set^ i
n t]+,he Midd^le \Ag[es, Wi+ ?!tt`e )Wie= $ven%` displays an unmis$takably contemporary spiri][t /
, c)+ra)?=f;=%ting a feminist /parabl@e about women _)di,)sco$/*@v;`ering new ways of understanding th$;`eir lives and th$$(e *$world.