凶狼

“Lo]),%bo Fe-` roz%@%^ !is a?  loose, revi%/ talised _adaptatio$n of Big Bad Wolves$].%% Th;_ere w #;%ere many changes that we made when you com;$pare it to^ the_
? o:rigin-%al, g^/
iven that we ad._ded n@=
ew characters, plot!_. stran,ds a:nd loca%tions, an]d we int roduc)ed.,@ .^`%and fl!eshed out new them;: es teete:[r^ ing between dark c`om*)edy and police thrill%er [. The film que stions  o ne’s principles,`_, h,u[*man behaviour :a,-$n=*/d how ambiguous? it can = be,” + the di  ;r:ec(tor explain(ed to Ci;,(ne.+ur=
_opa
*. “I’m very happ:?y to (be able.*= to work wit h  _ ;[a dre]@)am Spani=!_sh cast ;, where ev, .ery!)one \^demonstra-@_tes.] ==their eno?-rmous talent^] a.`(.nd com$\=mitment in :$every scene
#and -]through every single det%+$/ai+]l.`%(”　　The scr=eenpl@@ay),$ for the (
.;movie – written by Juan Manuel, Food-`e Roma an\ d Eva María Alonso Moreno – follo,#ws a police officer on the fringes of th./!e l:a??,w and a woman_ seekin=[g revenge. Their `;pa#/ ths cross[,? as they are *]+obsess:ed wi(t]]%h discovering t.:he ide( ;nt;@,it-:@y of the mur (d!(/erer b# ehind a string of brutal cri=_mes invo* lvin
 _g various^ ^ girls$-. The@y are both?) willing to
! do@ whate]ver i`

,t ta_k\es to s_:
ecure a con+.fe\ssion@, .+even though th_[$ey wil!.l :  have to tak?#e the la,#,w int.;o their own h@^ands in o+]rder(;% to ^

do@-+% so. At the same ti!_me#$+,, a. mod?=el detectiv*e will d).*o/] his utmo@st @t+)o .?avo )i^[d irre,parable errors#[ being mad`(+e and to en)s\;ure that th
(is desperat(+e se :arc
?h for t.he 
]#truth@]/ does n*.ot transform int%o@  ,the ) fi-)er++:cest of `w
[ol;ves.