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Th*[-is long-l#)*ost maste`..\rp#=+iece o(f hardcore gay eroti`c cinem,+a cen/ters on a handsome  young stud who )[rides ^ hi*s motorcycle thro;]],ugh m[]=!yri_ad s` exual encounters, f/,rom a soccer game’s locker -room +(to a phantasmagoric and -=deeply=) melanchol
y or#g$y. A
;. labyrin th $of all-male fa\$ntas` :i es w.#+hose  ^_outstanding beauties alwa$%ys end up fading away  (;while\ leaving thei
\r sensual p rotagonist deal@`)+ing ,@with his own lo`n?;eliness, EQUA# TION was di]#^+r)(\ec%[
ted with s$[upreme grace _=*by the mysterious?. D iet`^!rich de$ Ve!:$ls `(%-a$_ (aka Francis ?S ]\avel/Fran)tz Salieri[+)@#. A former) pa^%inter,=$ d#?e Velsa was also t$\,he own. .er and artis/`tic d@irector %of La Gra+n?
de Eugène,$ one \:+o:;f \[the f-:irs. t drag c$ab: a[rets in [Pa%,ri*/,$ s. Years later, he . =c%*/o^llaborate:%$d`: with Joseph Lo;]_sey on MR$. 
?KLEIN (197(6) and D)
ON GIOVAN`!NI (1979
). His on@?e and ]=on_;ly film, E*+ QUATION TO AN UNK?!NOWN sta .?nds % as one ?of \the] m].ost extraordina` ry ero.t/[.ic films (/of all time.
“T:]$@he most mel)/ancholic porn f$:ilm;]. I’ve ever#; s#*!een. `It’s_ very/) ;-sad, and aesthetically beautiful^\. Ju*st a young an `wande(:ring th %*)r\:ough several dep^ictions of% love an/d chor?/eographi?es of #]lo%_ve-;_makin!g; it’s like a cerem)!ony]], a ceremo ,[n/y(# of f%antasies, especial.,+[ly * the %%^^l
# ,ast /,`seq#/u@[ e*?^\nce where the + main c$@ha/racter recall.;s( all hi )s\ pr/evious fa`
ntasies, whi$)ch come [\!one by one around `hi#s b` ed and make ?= love to[ him.\ I thin@:#/k% it’s one o[f the most beautiful film s`(%equences /$
of French ci] [nema.” –Yann Gonzal.ez